
By Samuel Gruber (International Survey of Jewish Monuments)
After the almost a half century of being confined to two rooms adjacent to
Rome synagogue, the Museo Ebraico do Roma (Jewish Museum of Rome) will finally
have space to expand, thanks to nearly two million dollar initiative of the
City of Rome and Region of Lazio. The local governments have funded the renovation
of the over 400 sq meter basement of the Great Synagogue of Rome to serve
new space for an expanded permanent exhibition, with additional space for
small temporary installations, while the Jewish Community of Rome continues
to seek funds for the creation of a new exhibit within the new space and for
other projects to better protect and preserve its collection.
The Jewish Museum of Rome holds one of great Judaica collections in Europe,
but detailed knowledge of most of the metal, textile, stone and printed materials
in the collection has been difficult because the Community, of which the Museum
is a part, has lacked until now adequate space for research, conservation
and exhibition. Over the next several years the plans call for a transformation
of the Museum to make it worthy of its historical and artistic treasures,
and long, distinguished and uninterrupted history of the Roman Jewish community.
Giuliano Urbani, Italys Minister of Culture, presided over the opening of
the new galleries to the public on May 13th, in anticipation of a gala celebration
of the Tempios centenary to be celebrated on May 23rd, which thousands of
people, including the President of Italy, are expected to attend. An extensive
documentary exhibition The Great Israelite Temple in Rome 1904-2004, has been
installed in the new galleries and will be on view until October 31st, at
which time work will begin on the installation of a new permanent exhibition
about more-than-two-millennia history of the Jews of Rome.
The exhibition was accompanied by the publication by Umberto Allemandi &
Co. of new book about the synagogue, Il Tempio Maggiore di Roma: Nel centenario
dell'Sinagoga 1904-200,4 edited by Gianni Ascarelli; Daniela di Castro, Bice
Migliau; and Mario Toscano with new photographs by Massimo Listri. The book
describes the synagogues liturgy architecture, art, and history. Much of the
material in the exhibition and the book derives from the archives of the Jewish
Community in Rome and has never been exhibited or published before. The exhibition
includes hundreds of documents, photographs, drawings, as well as film clips,
an early model of the synagogue by the architects Vincenzo Costa and Osvaldo
Armanni, and precious Torah ornaments and other ritual items, many of which
are still regularly used in the synagogue. The exhibition and book also include
valuable information other artists who worked on the synagogue, especially
painters Annibale Brugnoli and Domenico Bruschi and the stained glass artist
Cesare Picchiarini. Together, these artists created a unique religious and
symbolic space for Romes ancient Jewish community, and bequeathed to Rome
one of its greatest examples of Liberty Style design.
The communitys Spanish Synagogue, into which many vestiges of the destroyed
synagogues of the Roman Ghetto were incorporated, is also located on this
level and will continue to be used. In addition to the indoor space, a new
outdoor lapidarium with over 100 square meters of surface area has been built
on the south side of the synagogue, where scores of inscribed stones and architectural
elements documenting the Communitys history have been collected and after
documentation, cleaning and restoration, have been installed. Most of these
pieces have not been seen for generations. This space, which will eventually
be covered by a transparent roof, will also serve as a new entrance to the
Spanish Synagogue.
For more information about the museum and its activities contact: centenario@tempiomaggiore.roma.it
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Last updated:
May 27, 2004